Chainsaw Man mouse pads for the desk

Our Chainsaw Man mouse pads and desk mats carry original art inspired by Tatsuki Fujimoto's devil hunters, printed edge to edge on 3 mm neoprene with a fabric top, a non-slip base and stitched edges that keep the fabric from fraying. Sizes go from 11.8″ × 15.7″ (30 × 40 cm), enough for a mouse, up to 23.6″ × 47.2″ (60 × 120 cm), enough for most of a desk, and nothing is printed until you order.

Chainsaw Man began in Weekly Shōnen Jump in December 2018, and its first part ended there two years later. The second part moved to the Shōnen Jump+ app in 2022, the same year MAPPA's twelve-episode anime aired, and the Reze arc reached cinemas as a feature film in 2025. Through all of it, the look has stayed rough on purpose: smudged ink, grimy streets and a hero whose head turns into a chainsaw.

Denji, Makima and everyone else

Two characters have their own pages under Chainsaw Man. Denji's page covers the broke teenager, the devil-dog in his chest and the chainsaw form; Makima's page covers the calm, ringed-eyed woman who recruits him. Everything else lives on this page: Power and her cat, Aki and his fox, the rest of Special Division 4, the devils, the Reze film and the second part with Asa and Yoru.

A series that looks good scuffed

Plenty of anime art is clean, bright and polished. Chainsaw Man art is not. Fujimoto draws with loose, scratchy lines, leaves backgrounds half empty and lets ink and blood spill across the panel, and MAPPA kept much of that grit on screen with muted colors and lighting that looks like it was shot on film rather than drawn.

On a desk, that roughness is an advantage. A design that already looks a little worn doesn't fight with a shiny keyboard, a tangle of cables or a coffee ring on the wood, and it looks deliberate next to plain black peripherals. The palette is narrow too, dirty orange, blood red, off-white and black, so it is easy to build the rest of the desk around it.

Power, the Blood Fiend

Power is loud, vain, lazy and ready to lie about almost anything, and she arrives in the story as a partner Denji did not ask for. Her design reads from across a room: long, pale pink-blond hair, two small red horns and eyes with cross-shaped pupils. As a fiend she shapes her own blood into weapons, a huge hammer above all, which puts plenty of red into any scene she is in.

For a mouse pad, the horns alone are enough. Two red points on a cream or black ground say Power to anyone who has watched the show and look like a simple graphic to anyone who hasn't. A full-figure design, Power mid-swing with the hammer, needs width: on an XL, 15.7″ × 35.4″ (40 × 90 cm), place her at the mouse end so the swing travels toward the keyboard instead of disappearing under it.

Meowy and the softer corner

Power's one real attachment early on is Meowy, the cat she took in and refuses to give up, even when the Bat Devil holds it hostage and she drags Denji into the trade. That small story is one of the few gentle threads in Part 1, and it gives the series a cozy side you can put on a desk without any gore.

A cat silhouette, a paw print beside a pair of horns or Power curled up asleep with Meowy suits a pastel desk, a bedroom setup or a family computer where chainsaws would feel out of place. These designs are lighter in color too, so they pair with white or wood desks better than the black-and-red art.

Aki Hayakawa and the fox

Aki is the straight man of the household: neat, tired, carrying a sword and a topknot, and set on revenge against the Gun Devil that killed his family. His devil contracts give him some of the cleanest symbols in the series. He summons the Fox Devil with a fox-shaped hand sign, he can curse an enemy by striking it three times, and the Future Devil lives in his right eye.

A fox hand sign on a small pad is a quiet nod that only readers will catch, and a fox head on black makes a stronger statement on a desk mat. Aki designs work in dark navy, gray and white rather than red, which makes them the calmest corner of Chainsaw Man for a work or study desk.

Special Division 4

Denji, Power and Aki belong to Public Safety's Special Division 4, an experimental unit of devil hunters. Around them are Himeno, Aki's former partner, who wears an eyepatch and has a contract with the Ghost Devil; Kobeni, who is frightened of nearly everything and keeps surviving anyway; and Kishibe, the scarred veteran who trains Denji and Power by beating them up.

A lineup of the team in white shirts and black ties makes a wide, graphic design. Because the uniforms are monochrome, the color comes only from hair, horns and the occasional splash of red, so a lineup sits well on a white desk as well as a black one. Put the character you care about most at one end of the mat, not in the middle where the keyboard lands.

Devils born from fear

In Fujimoto's world, every devil is born from a human fear, and the more people fear something, the stronger its devil becomes. That one rule produces some of the strangest creatures in manga: the Zombie Devil that opens the story, the Bat Devil and the Leech Devil, the Eternity Devil that traps a team on a single floor of a hotel, and the Gun Devil hanging over the whole of Part 1.

A roster of devils suits a large desk mat. Lay them out like a field guide, one creature per panel, across the XXL, 23.6″ × 35.4″ (60 × 90 cm), and the keyboard only ever hides one or two entries. For a small pad, pick a single devil with a clear outline and keep it near the top edge, away from your palm.

Panels that read like film

Fujimoto loves movies, and his pages show it: wide, quiet panels, sudden cuts and long beats without a word of dialogue. Those wide panels have nearly the same proportions as a long desk mat. A strip of them on the M, 11.8″ × 27.6″ (30 × 70 cm), reads left to right like a scene, and if the layout is planned well, the keyboard lands on the gutter between two frames rather than on a face.

Manga-panel designs are black, white and gray, so they suit any keyboard color and a desk that has to look tidy on a video call. They are also the closest thing on a desk to the feeling of reading the volumes for the first time.

Twelve episodes, twelve endings

MAPPA's anime did something few series attempt: each of its twelve episodes closed with a different ending song and its own animated sequence. The opening, Kenshi Yonezu's "Kick Back", stayed the same, but the endings changed in sound and style from week to week.

That variety is useful when you pick a design. There is no single correct Chainsaw Man look, so a pad can lean neon, pastel, sketchy or pitch dark and still feel like the series. Decide on the mood of your setup first, the lighting, the desk color and the keyboard, and then choose the art that fits it.

The Reze arc on the big screen

The 2025 film adapts the Reze arc, a summer story that starts with rain, a phone booth, a café and a night swim at an empty school, and ends with explosions tearing through the city. Reze is a girl Denji meets by chance, and the arc turns on whether she is what she seems.

The arc gives a desk two very different palettes. The quiet half is soft: rain on glass, summer evenings and blue pool water at night, a calm choice for a light desk. The second half is fire and smoke in orange and black, which belongs under a dark monitor with amber lighting. On an XL or larger, one design can hold both, calm at one end and burning at the other.

Part 2: Asa and Yoru

The second part follows Asa Mitaka, a lonely high school student who ends up sharing her body with Yoru, the War Devil. When Yoru takes over, the face carries scars and ringed eyes, and Yoru can turn the things around her into weapons. The school setting gives Part 2 a different feel from the first: classrooms, uniforms, notebooks and quieter colors.

That makes Part 2 art a good match for a study desk. A design styled like a school notebook under a laptop keeps the series present without blood, and a split portrait across the long strip, Asa at one end and Yoru at the other, gives each half of the character her own side of the keyboard.

Small symbols for a small pad

On the 11.8″ × 15.7″ (30 × 40 cm) pad, your hand covers the lower half most of the time, so a single symbol in the upper half works better than a scene. Chainsaw Man has plenty of them:

• Two red horns for Power, on cream or black.
• A fox hand sign for Aki.
• An eyepatch for Himeno.
• A sleeping cat for Meowy.
• A grenade pin on a choker for Reze.
• Scarred, ringed eyes for Yoru.

Orange, red and the right light

Chainsaw Man's orange is not the bright orange of a sports car. It is closer to rust and old paint, and it changes with the light around it. Under cool white LEDs it turns dusty and muted; under warm bulbs it glows. If your room leans cool, choose a design with more black and red and less orange. If it leans warm, the orange-heavy designs look their richest.

For RGB, red is the natural match, and one red strip behind the monitor ties a red-and-black mat to the wall. Pink and teal suit the neon-city designs. Strong green or purple light tends to muddy orange art, so if your keyboard glows in those colors, pick a design built on black and white instead.

For older fans

Chainsaw Man is a mature series, violent and often crude, written for older teens and adults. If the pad is going on a shared desk, in a dorm or at the office, you can keep the series on the desk without any gore: horns, a fox hand sign, a cat, a manga page or a rainy street say Chainsaw Man without a drop of blood. Save the darker designs for a personal gaming setup.

Gaming and study on a Chainsaw Man pad

Under the art, the pad is a regular gaming surface: an even fabric top for controlled aim, a non-slip base that holds during fast flicks and stitched edges that don't fray where your forearm rests. If you play shooters at low sensitivity, XL or larger gives the mouse room to travel. The 3 mm neoprene is also soft enough to write on, so a calm design under a laptop and notebook works as a study mat between gaming sessions.

Sizes for Chainsaw Man desks

Designs don't all share the same sizes, so check the product page of the one you like. These are the sizes that suit Chainsaw Man art.

Setup	Size	Good for
Mouse only	S, 11.8″ × 15.7″ (30 × 40 cm)	Power's horns or a fox hand sign
Laptop desk	TCG Mat, 14″ × 24″ (35.5 × 61 cm)	A manga page beside a laptop
Short keyboard	M, 11.8″ × 27.6″ (30 × 70 cm)	A strip of film-like panels
Keyboard and mouse	XL, 15.7″ × 35.4″ (40 × 90 cm)	Power mid-swing or the Reze arc
Deep desk	XXL, 23.6″ × 35.4″ (60 × 90 cm)	A field guide of devils
Full desk	4XL, 23.6″ × 47.2″ (60 × 120 cm)	Special Division 4 in one long line

Wide, shallow desks are what the L, 11.8″ × 31.5″ (30 × 80 cm), and the 3XL, 19.7″ × 39.4″ (50 × 100 cm), are for; they fill the gaps between the sizes above.

Gifts for a Chainsaw Man reader

A Chainsaw Man pad suits someone who read Part 1 week by week, someone who came in through the anime and saw the Reze film in a theater, or someone keeping up with Asa's chapters now. If you know who they would pick, Denji and Makima have pages of their own; if you don't, Power's horns or a manga-panel strip are hard to get wrong. If you have never seen their desk, XL, 15.7″ × 35.4″ (40 × 90 cm), is the safe guess for a keyboard and mouse together.

Allow 1–3 business days for us to print and finish the pad; after it leaves Turkey, US orders usually arrive in another 2–5 business days. For a birthday or the holidays, order about two weeks ahead.

Cleaning a red and black pad

Dark Chainsaw Man designs hide fingerprints but show pale dust and cat hair, so wipe the surface with a slightly damp cloth whenever it starts to look gray. Every month or two, give it a proper hand wash: lukewarm water and a few drops of mild soap, a rinse until the water runs clear, then a towel rolled around it to press the water out before it dries flat. Don't put it in the washing machine or the dryer, and never iron it; the print is fade resistant, so the reds stay deep.

A note on names

Chainsaw Man and the names of its characters and devils appear here only to describe what our designs draw on. Padrift is not affiliated with, sponsored or endorsed by Tatsuki Fujimoto, Shueisha, MAPPA or Viz Media.